I’m conflicted about how to feel about Good-bye. The manga deals with topics a
lot darker than we have seen so far in class and raises a lot of interesting
questions about morality. It presents a hard look at life and is unafraid to
show a rather grime outlook of the world. What I like about Tatsumi’s manga is
how it’s willing to be ambiguous rather than just spoon feed the audience a
message and tell the audience how to feel, like many of the Crime SuspenStories
comics do. While certainly provocative, my main issue that makes me question
these manga is the very limited view of manhood. Over and over again we see
these male characters who look at women as just sex objects or annoyances that
nag you. Particularly in “Just a Man,” I’m not sure if Tatsumi’s goal is to
have us sympathize for these male characters who are frankly really creepy. This
is especially evident in Mr. Hanayama from “Just a Man” who uses women to get
back at his wife.
Why I’m not quick to completely dismiss
these manga as championing a really unhealthy view of manhood is because this
way of thinking never actually brings any of the characters joy in the end. So
in that respect I could see these manga as being a sharp criticism of toxic
masculinity and the effects it has on both men and women. Between these two
ways of looking at manhood in the manga, I lean towards the idea that Tatsumi’s
work highlights how harmful it is when men only are valued for their strength and
whether they can attract women while women are only prized for their beauty. In
“Woman in the Mirror” the idea that a man might want to be more like a woman is
seen as sickening by the narrator who throws up when he catches Ikeuchi in
women’s clothing. Ikeuchi’s struggle with his identity shows how confining
gender roles can be and the narrator’s reaction to Ikeuchi’s appearance shows
how society and the views of outsiders pressure us into the confining boxes of
our sex.
Callie - I completely agree with your idea about Tatsumi and manhood. But "Woman in the Mirror" was an interesting one. The first time I read the last page (132) I thought it was strange that Tatsumi made such an explicit conclusion through Tesuji that Ikeuchi dressed as a woman because "the women in his family made him feel like he had to be a man, and it was too much for him... he tried to escape by shedding his manhood. That was his only way out."
ReplyDeleteBut now I look back at it and think that maybe that's not what Tatsumi wanted the readers to think, but rather trying to show a grown Tesuji still distraught/coming to terms with what he saw; thus, commenting on society's view of masculinity (there HAS to be a reason he dressed as a women). In reality, of course it's much more complicated than Tesuji's conclusion, and maybe Tatsumi was suggesting that.
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