The Mysterious
Underground Men was probably one of my most enjoyable reads, due to its
stark contrast in plot, quality of art and movement compared to our previous,
more archetypal readings. The art is beautiful and the panels satisfyingly
varied. I am reminded of Little Nemo in
Slumberland and feel like I’ve entered a surreal dream sequence. The
opening panels are full, dynamic splash pages that catch the reader’s eye from
the very beginning. However, contextually, I am at a loss. This plot and idea
seems to be so removed from reality that I have no choice but to critique it
with an outside view. No longer are heroes above us, but enemies are in the
Earth, as a young boy attempts to create a train path through the middle of the
Earth’s core. This time, I don’t see the 60’s influence of superheroes obeying
police, beating up thugs and leaping through cities. Instead, the main
character is a small boy, an older man, and a genetically engineered rabbit who
travel to the underworld. In storytelling, it is a rich narrative. It is
fantastical and pleasing to the eye with its aesthetic. It is iconic and unique,
similar to how Superman stunned audiences as the first American hero.
The more I began to read it, the
more I saw it fitting as a hero and the quest. Similar to what I saw in The Adventures of Tintin. I began
comparing its likeness and continuity to that of Tintin, where a baby-faced
teenager travels with his companion across the world and saves the day in the
end of each issue. However, some elements were starkly different from the way
Americans or Europeans convey elements of storytelling or pictorial
information. Icons appear to be different and contextual references are lost.
This perhaps, is the secret of the manga. It is a different style of storytelling.
I wondered if the rabbit had a special significance to Japanese culture, or why
a grandfather was chosen as the guardian figure for little John. The name
choices such as Ham Egg seemed a bit confusing, but probably a result of Japanese
to English translations. Mimio, the animal 'companion' becomes a dynamic and essential character to the story. Reading the very beginning of Tezuka's work, the development of manga had me relieved at the refreshing twists.
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