Tuesday, October 20, 2015

Who's Reading This?

The Patty-Jo and Ginger editorials stick out from the other comics that we have read for a number of obvious reasons. The dialogue, however, is where Jackie Ormes diverges significantly. I was surprised by the blunt, uncensored social commentary that was coming from a little girl. I think I enjoyed it because the direct, sometimes politically incorrect humor seemed slightly unfitting for a girl of her size. It’s the same reason why watching a child swear is comical, but hearing an adult swear is routine. Patty-Jo dishes out progressive, authoritative observation to her older sister, who is continuously left speechless. On the other hand, Patty-Jo is the perfect figure to illustrate the constraining social constructions of the time. Jackie Ormes had an important message to share/comment on, and a child without a filter was the perfect tool to communicate through. What would have happened if Jackie Ormes tried to convey her message directly, without the comic? Would it be received the same way it was? Probably not.

I wouldn’t call these comics explicit, but I still think they were slightly risqué for the time. This left me with a critical question: who’s the reader? If a mother didn’t want her child reading SuspenStories, would she let them read this? Would children understand what Patty-Jo was trying to say? There are so many visual puns and topics relating to current events, that children might be lost, save the image. This lead me to believe that, unlike most of the comics we have read, Patty-Jo and Ginger was specifically designed for an older reader base, which is ironic given that this is the first comic series that consistently has a child as a main character. Perhaps this is reflected in the way many of the illustrations are drawn: from a higher vantage point, as if an adult was standing behind Ginger, watching in on the scene. 



2 comments:

  1. I think that you make a great point regarding who the reader is supposed to be. However, I am not sure that young and old audiences are necessarily mutually exclusive. I think that the young protagonist would appeal to young readers and the basic story lines of the comics are entertaining enough that young audiences would not necessarily have to grasp the puns and progressive commentary to enjoy them. The skill of Jackie Ormes can be seen in her ability to consistently make a comic that both appeals to children and have enough complexity to entertain adults.

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  2. Jasper -- While reading Ormes' editorial comics, I initially thought that they were geared towards an adult audience. As you say, the blunt, uncensored social commentary made in these cartoons can come across as risqué. And often times, "sensitive" information like this is strictly reserved for older readers who can actually grasp the nuances of these comments. But, I think you're right to question who these editorials are meant for. In some of the cartoons, Ormes advertises her Patty-Jo dolls.. that's not meant for adults, right? So, is Ormes in fact trying to attract just one type of readership? Based on the diversity of the editorials, probably not. As Matt mentions above, different aged protagonists were probably attracted to different elements of Ormes' cartoons.

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